TICKETS:

£35 (including morning and afternoon tea and coffee) Concessions: £30

Lunch £15 (can be ordered until 28th)

If not ordered, meals can be purchased in the Watershed Bar, but waiting times may be long

This one-day symposium explored and attempted to demystify, the movement of film and video footage through the digital production process from camera to exhibition. The ‘look’ of a film used to be the domain of the cinematographer. As a result of the various new forms of image manipulation that have appeared in the last decade and a half, new types of collaboration have resulted – for example, between cinematographers, post-production supervisors, visual effects artists, and colourists. Given the multiplicity of ways in which the aesthetics of a film can change after shooting is complete, a key question presented itself: who controls what aspects of a film’s look?

This symposium traced how the ‘look’ of a shot changes at each stage of this process, explained some of the technologies that effect these changes, and discussed the decision-making behind these changes. It also explored the reorganisation of production roles and responsibilities that has resulted from the digitisation of film-making workflows.

The symposium drew from a range of specialisms, bridging theory and practice: invited speakers included Ben Smithard (That Damned United, Cranford, Spooks), Geoff Boyle DoP FBKS (Wallander, Mutant Chronicles), Jonathan Smiles Digital Production Supervisor (District 9, Green Zone), Luke Rainey Colourist (Band of Brothers, Man on Wire), (a 2nd cinematographer to be announced shortly), Professor Duncan Petrie, Professor Sean Cubitt, Dr Richard Misek, Dr Charlotte Crofts. The day consisted of four sessions: image capture, data management, colour grading, and display.

Each of the four sessions comprised a presentation by a film industry professional, a presentation by a film academic to open up wider questions, and a dialogue between the two. The intention was to introduce the practice of each to the other and of both to the general public, facilitating an open conversation about the aesthetic issues, pressures, technologies, and production roles involved in contemporary film production.

This symposium was organised and hosted by Terry Flaxton AHRC Senior Research Fellow (and DoP) and Dr Richard Misek.

The presentations in an online video form will become available shortly

Schedule for participants

10am Introduction - Professor Sarah Street, Mark Cosgrove Head of Programme, Watershed

10.15 1st session, Capture: Ben Smithard DoP, Professor Duncan Petrie, University of York

11. 15 tea

11.45 second session, Data Handling, Jonathan Smiles, Professor Sean Cubitt, University of Melbourne

12.45pm lunch

1.45pm third session, Editing and Grading, Luke Rainey, Dr Richard Misek, University of Bristol

2.45pm tea

3.15 fourth session, Exhibition and Display, Geoff Boyle DoP FBKS, Dr Charlotte Crofts, University of the West of England

4.15 assembled panel 5.00 close

To book, Watershed box office or ring +44 (0)117 927 5100