| |
 |
|
|
| |
ONLINE VIDEO RESOURCES DISCUSSING DIGITAL MOTION IMAGING |
|
|
| |
|
|
|
| 10 minutes |
'Digital Cinematography so far'
A presentation to University of Westminster's Research Team, CREAM, Terry Flaxton, University of Bristol, Knowledge Exchange Fellow, 2010 |
|
|
| 5 Hours |
The Look From Capture to Display: Digital Cinema Aesthetics and Workflows. 2011A symposium that discusses the effect of digital technologies on cinema production and contrasts the language of academics and professionals: |
|
|
| 4 Hours |
The idea of digitality in a post-digital age - University of Westminster - Days One to Four, 2010 |
|
|
| 75 minutes |
A discussion at the Watershed on the advent of 3D and its longevity - Aprl 2011 |
|
|
| |
Recent Equipment from NAB 2011 |
|
|
| 20 Hours |
A Verbatim History of the Technologies Aesthetics and Techniques of Digital Cinematography |
An online oral history |
|
| |
Zacuto Camera Tests Episode 1 - The Tipping Point |
|
|
| |
Zacuto Camera Tests Episode 2 - Sensors and Sensitivity |
|
|
| |
Zacuto Camera Tests Episode 3 - It's not so Black and White |
|
|
| 10 minutes |
Alan Chalmers, Professor of Visualisation at the University of Warwick presents a High Dynamic Range Capture and Display system, 2011 |
|
|
| |
Global Cinematography Institutes Presentation on what Cinematography now is |
|
|
| |
Equipment from NAB 2012 |
|
|
| |
A conversation with Greg St Johns, DP of Criminal Minds |
|
|
| |
Overview of the Look Panel in RedCineX Pro |
|
|
| |
Equipment from NAB 2011 |
|
|
| |
Jean Renoir on 'Technical Progress' |
|
|
| |
TEXT RESOURCES |
|
|
| |
Cinematography & Data Imaging Articles - Articles from DP’s and DiT’s |
|
|
| |
Or use these links below: Cinematography & Data Imaging Articles, followed by academic articles and articles by artists - then articles I've written |
Articles from DP's & Digital Imaging Technicians |
|
| |
Sony Finally Wakes up to affordable 4k |
|
|
| |
Quantel's recent article: The Tipping Point from Film to Digital |
Courtesy of the Company |
|
| |
Throwing some light on Digital Cinematography - Steve Shaw, Light Illusion |
Courtesy of the Author* |
|
| |
General articles on Cinematography - Art Adams DoP, San Fransico |
Courtesy of the Author |
|
| |
One DP's View, James Mathers, President and co-founder of the Digital Cinema Society, |
Courtesy of the Author |
|
| |
The ASC IIF/ACES Image System as explained by Mike Most |
Courtesy of the Author |
|
| |
Lens Testing - Steven Gladstone DoP, New York |
Courtesy of the Author |
|
| |
CML Gothenberg Comparison Tests - Alexa, Red MX, Canon7D |
Courtesy of the Author |
|
| |
Understanding the Cameras Matrices - Art Adams |
Courtesy of the Author |
|
| |
IR Filters - Art Adams |
Courtesy of the Author |
|
| |
How to expose the Red One - Ted Schilowitz |
Public Post* |
|
| |
The Colour Space Conundrum, Part One |
Public Post |
|
| |
The Colour Space Conundrum, Part Two |
Public Post |
|
| |
Camera Filters - Ira Tiffen, US |
Public Post |
|
| |
Camera Filters - Paul Wheeler DoP, UK |
Public Post |
|
| |
Comparison of Arri Alexa and Red MX - Gunleik Groven |
Courtesy of the Author and CML |
|
| |
Exposure Bracketing on the Red One - Gunleik Groven |
Courtesy of the Author and CML |
|
| |
Exposure for Digital Cinematography - a debate |
Courtesy of CML |
|
| |
Peter Jackson on 48 fps on The Hobbit |
Public Post |
|
| |
CCD's vs CMOS |
Public Post |
|
| |
Decoding Digital Imagers: Part 1- Christopher Probst |
Public Post |
|
| |
BBC White Paper on High Frame Rate Television |
Public Post |
|
| |
Ansel Adams Zone System |
Wikipedia Article |
|
| Articles on the post-Digital |
Metaphysical HD - Steven Ball |
Courtesy of the Author |
|
| by academics and Artists |
Making Space - Professor Sean Cubitt |
Courtesy of the Author |
|
| |
The Latent Image - Professor Sean Cubitt |
Courtesy of the Author |
|
| |
Notes on HD - Ed Atkins |
Courtesy of the Author |
|
| |
What is Digital Cinema ? Professor Lev Manovich |
Courtesy of the Author |
|
| |
The Language of New Media Professor Lev Manovich |
Courtesy of the Author |
|
| |
Articles by Terry Flaxton |
|
|
| |
HD Aesthetics |
|
|
| |
New understanding of the mimetic and the diegetic in the creation of art |
|
|
| |
Technical issues in contemporary workflows in Digital Cinematography (Non PR) |
|
|
|
The Concept of Colour Space seen from the Practitioners Standpoint |
|
|
| |
Time and Resolution, Experiments in High Definition Image Making |
|
|
| |
Lighting a Jacobean Tragedy under candlelight |
|
|
| |
Feeding the World, Creating an HD Installation to tour the world |
|
|
| |
Some Notes on the Theory and Practice of Innovation in Theatre, Film, Electronic Cinematography, Digital and Television Education |
Cinematographers Mailing List |
|
| |
The Technology, Aesthetics, Philosophy and Politics of High Definition Video |
ASC |
|
| |
All articles and papers are available at Academia.edu |
BSC |
|
| |
Electronic Cinematography |
Digital Cinema Society |
|
| |
Making Low Budgets work |
BBC Engineering |
|
| |
High Definition and High Resolution Motion Imaging - 75000 words |
Blog |
|
| |
Notes on Digital Workflows |
|
|
| Public Disclaimer |
*Where I've used the term 'Courtesy of the Author' I've contacted the author for permission to link to their document, where I use the term 'Public Post', I make the assumption that as these documents are available for anyone to look at online - in that they're searchable on google - then the copyright owner has given their permission for them to be linked to. |
A Verbatim History of Digital Cinematography |
|
| |
|
|
|
| |
Cinematography |
Knowledge Transfer Main site |
|
